In my imagination, a rather messy and disturbingly random little place, there lives a shadowy idea of how to represent shadow objects visually. It requires found objects, and photocopies of photographs, and beeswax, and painting, and it ends up looking something like this:
It’s perfect. It’s a type of collage, which relates it to my earlier thesis work and to all the implications collage had as a form of visual communication there, but it also has a ghostly opaqueness and a greater material physicality that speaks more to this specific thesis. It’s a highly flexible medium, and, I think, a highly storied one.
Also I get to paint a little bit…
I see a series of encaustic collages grouped together on a wall in an exhibition as a type of visual essay, with perhaps other sensory memories included; a scent, or a song for instance, and again, only where it is an important part of the story. I am keen to add in sensory memories if/when I can, because reasons; and no, the zines are not forgotten, and yes, it will all work together, but more on all of that later – right now I have to drive two children to work. Again.